Anh Do escaped an unstable and dangerous Vietnam in an unlikely boat after the withdrawal of Australian troops, wrapped in the arms of his mother. He is now a lawyer, but is best known as a stand up comedian. He recently won an important literary award for his book 'The Luckiest Refugee", details can be found here. I listen to his voice, and I sense the values that he seems to have developed, even in the absence of an easy childhood and he makes me feel a little bit of pride in being Australian. I only tell you this because I haven't felt this way often in the last fifteen years. There was a warmth in being an Aussie that has been partly subsumed recently by a shallow edge of materialistic and anti-intellectual self-interest.
Margaret Olley passed away to-day. She was an artistic institution here, not only as a painter for most of her eighty-eight years, or as a patron, mentor, and subject of many famous paintings, but as an on-going presence representing the artists artist- the type unaffected by fashion or trend, simply content to delight in the texture and colour and sensual delight of the painted image. Say her name and I smell turpentine and linseed oil, I think of domestic clutter and light falling across a kitchen table. I remember Cezanne and Matisse and Bonnard, and I'm reminded of the gritty surface of canvas, the scumbled brush and crinkly tubes with lids not quite on: the interior landscape of a perceptive mind both bound and liberated by the familiarity of ordinariness and the domestic space.
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